Known for spectacular technique, sumptuous sound, and deeply probing musicianship, alongside “irresistible panache” (Chicago Tribune), violinist Rachel Lee Priday is passionately committed to new music and creating enriching community and global connections through wide-ranging repertoire and multidisciplinary collaborations that reflect a deep fascination with literary and cultural narratives.

Priday has appeared as soloist with major international orchestras including the Chicago, Saint Louis, Houston, Seattle, and National Symphony Orchestras, the Boston Pops, and the Berlin Staatskapelle. Her distinguished recital appearances have brought her to eminent venues such as Lincoln Center’s Mostly Mozart Festival, Chicago’s Ravinia Festival and Dame Myra Hess Memorial Series, Paris’s Musée du Louvre, Germany’s Mecklenburg-Vorpommern Festival and Switzerland’s Verbier Festival. She has premiered and commissioned works by composers including Matthew Aucoin, Christopher Cerrone, Gabriella Smith, Timo Andres, Leilehua Lanzilotti, Cristina Spinei, Melia Watras, Paul Wiancko and many more.

Priday began her violin studies at the age of four in Chicago, after she saw the puppet Lamb Chop pretend to play the violin, and shortly after moved to New York City to study with iconic pedagogues Dorothy DeLay and Itzhak Perlman at The Juilliard School. She holds degrees from Harvard and the New England Conservatory, and has served on the faculty of the University of Washington since 2019. She performs on a Giuseppe Guarneri violin (“filius Andreae”).